The    proposed    triptych    of        artworks    individually    named LandScape    01,        LandScape    02    &    LandScape    03,
can    be    considered        as    a    series        of    digital        illustrations    implying        and        playing with        the        evolving        process        of        art    in    the    digital    age,        prompting    a        philosophical inquiry        into    the    essence    of    beauty,    representation,    creativity    and    recreation in a world increasingly mediated by technology.
The    artworks    function    not    only    as        visual    pieces,        but    also    as    a    conceptual nexus,    intertwining    analogue    compositional    aesthetics        and    logic        with    the complexities    of    digital    artistry    as    explored    in    contemporary    discourse.
The    “LandScape    Lapse01>03”    triptych    can    be    seen    as        a    free        play    of        the faculties    of    imagination        facilitated        by    digital    tools,    where    the    observer    is invited    to        a    subjective    universal    communicability    of    the    aesthetic        experience. The    synthesis of colors, the interplay of shapes, and the overall composition leverage the digital medium to evoke a somewhat contemplative experience.
The piece could symbolize the digital age’s characteristic fragmentation and recombination, where the finite utilisation of digital systems allows for an infinite array of expressions.
Incorporating        perspectives    from        the    realm    of    digital    art    production    and theory,    “LandScape    Lapse01>03”    reflects    a    self-awareness    of    its    medium. Playing    with    the    antithesis        of    using        concrete        yet    harmonious        elements,    curves with    lines    and        colour    with    shades, an attempt of embodying the digital medium’s capacity for control and variation, precision and abstraction/ Preferably printed on plexi glass or on photographic paper, but also suitable for screen viewing.|